Grown in Alaska. Schooled in Seattle. Living in Austin.
Booked and promoted shows in venues ranging from a 600 capacity bar to the roof of my college dorm and produced promotional videos and interactive content for start-up companies, corporations, and non-profit organizations. Film clients include KEXP 90.3 FM, Seattleite Magazine, and The Seattle Storm.
Specialties:
• Event Promotion
• Interactive Marketing
• Talent Buying/Booking
• Negotiation
• Event Management
• Adobe Production Suite
Door, coat check, merch, and other random production jobs for the iconic Seattle music venue. 650 standing capacity.
Also booking and promoting local shows in Barboza, the 200 capacity venue under Neumos.
Working with the staff at KEXP 90.3 FM Seattle to produce exciting video content for KEXP's rapidly expanding online presence.
• Shooting in-studio performances for artists such as Macklemore, Matt & Kim, Other Lives, and Brother Ali among many others.
• Editing multi-angle HD video from DSLR cameras to create the YouTube in-studio videos that have become synonymous with KEXP 90.3 Seattle.
Booking, event planning and promotion for Bellingham's all-ages, community-focused music venue. 200 standing capacity.
• Oversaw a comprehensive venue and sound system remodel.
• Booked all-ages shows and promoted to a college-age market.
• Built a non-existent social media presence into an online hub for Bellingham all-ages music, with over 20,000 impressions and interactions monthly.
Assisting with the day-to-day operations of Bellingham's premier 21+ music venue. Five-time winner of the Best of Bellingham "Favorite Place to See Live Music." 450 standing capacity.
• Communicated professionally with national touring acts and agents regarding advancing and promotion details.
• Promoted all venue events online through Twitter, Facebook, Spotify, and Instagram.
• Managed The Wild Buffalo website show calendar.
• Worked closely with Owner Craig Jewell and Talent Buyer/Promoter Austin Santiago to bring quality acts to the Wild Buffalo stage.
• Local talent buying and day-of-show management 3-5 nights a month.
• Juggled and prioritized the multitude of small tasks necessary to keep one of the West Coast's hardest-working music venues afloat.